| Humanities: META PUBLICATIONS ADVENTURES WITH TIME LINES . Author:HALL, L.MICHAEL BODENHAMER, BOB G.. Discounted by 0% 0916990427
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| Humanities: BRITISH FILM INSTITUTE LIFE AND DEATH OF COLONEL BLIMP "The Life and Death of Colonel Blimp", released in 1943, is regarded as one of the masterpieces of British cinema. In this interpretation of the film, A.L. Kennedy finds it to be a complex and richly ...
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| Humanities: BRITISH FILM INSTITUTE BLADE RUNNER This text details the making of "Blade Runner" and its steadily improving fortunes after its indifferent reception in 1982. The film is situated in terms of the debates about postmodernism which have informed the large body of ...
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| Humanities: BRITISH FILM INSTITUTE STARS On its original publication this text was one of the first attempts to bring together all the various critical and theoretical approaches that have been made to the phenomenon of stardom. This revised edition features a new chapter ...
For sale at PickaBook (more information) | 11.47 €
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| Humanities: BRITISH FILM INSTITUTE CABINET DES DR.CALIGARI David Robinson challenges long accepted versions of the history and reception of "Das Cabinet des Dr. Caligari" and seeks here to redefine its relationship to the larger phenomenon of Expressionist art.. ...
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| Humanities: BRITISH FILM INSTITUTE TERMINATOR Made on a low budget, "The Terminator" was one of the most influential films of the 1980s. This text places the film in the context of exploitation films, and argues that it is compelling because it deals with the darker, more ...
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| Humanities: BRITISH FILM INSTITUTE BIRDS Camille Paglia draws together in this text the aesthetic, technical and mythical qualities of Alfred Hitchcock's "The Birds" (1963), and analyzes its depiction of gender and family relations.. Author:PAGLIA, CAMILLE (PROFESSOR OF ...
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| Humanities: BRITISH FILM INSTITUTE HISTORY OF EXPERIMENTAL FILM AND VIDEO A.L. Rees tracks the movement of the avante-garde film between, on the one hand, the cinema, and, on the other hand, modern art (with its postmodern coda). He also reconstitutes the avante-garde film ...
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| Humanities: BRITISH FILM INSTITUTE FILM/GENRE This book revises our notions of film genre and connects the roles played by industry critics and audiences in making and re-making genre. Altman reveals the conflicting stakes for which the genre game has been played and ...
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| Humanities: BRITISH FILM INSTITUTE SEVEN Gluttony, greed, sloth, lust, pride, envy, wrath. A serial killer on a warped moral mission who turns his victims' "sins" into the means of their murder. The movie "Seven" is analysed here covering topics such as sin, story, ...
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| Humanities: BRITISH FILM INSTITUTE PERFORMANCE Having conducted extensive interviews with surviving participants, Colin MacCabe presents the definitive history of the making of "Performance", as well as a new interpretation of its artistry.. Author:MACCABE, COLIN (PROFESSOR ...
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| Humanities: BRITISH FILM INSTITUTE CARAVAGGIO "Caravaggio" (1986) is probably the closest Derek Jarman came to a mainstream film. Nevertheless, the film reflects Jarman's major concerns: violence; history; homosexuality, and the relation between film and painting. Unlike ...
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